I
served as Organist, then later, Director of Music/Organist from 1983
to 1999. I played many services and recitals on this instrument. The
church had an afternoon recital series, which meant I usually played
at least two 1/2 hour solo organ recitals a year. I also played "Dueling
Organ Recital" with my friend and colleague Michael Hollman, who usually
held forth at the balcony instrument, a 96-equivalent-rank Allen ADC
8000.
The Aeolian-Skinner was originally located in what is now Central Presbyterian
Church, Park Ave., NY, NY. As best as I can tell, its life started
out as a Hook & Hastings, c. 1902.
The organ was then re-built by G. Donald Harrison and the firm of Aeolian-Skinner.
It was fitted with this console, some Hook & Hastings ranks were
retained, and a number of Aeolian-Skinner ranks were added, bringing
the total to about 80 ranks. In 1948, Plymouth Congregational Church
(Fort Wayne, IN) bought the instrument from Central Presbyterian Church
and had it removed and reinstalled by Chester Raymond. It was maintained
for many years by Harold Lucas of Auburn IN. Harold was an Aeolian-Skinner
installer for the Chicago area before starting his own firm. He maintained
the instrument until the mid-1990's, then retired to Canada. Before
his retirement, he taught me many skills, including tuning and releathering.
Most of the Solo division's stops were releathered by me after the
failure of the original pouches made from Perflex. The instrument was
72 ranks and was located in the chancel area before its replacement
by a 4-manual Allen Renaissance c. 2003. The Allen 8000 ADC was purchased
in 1985 and installed in the balcony. It too was removed around the
2003 renovation of the sanctuary.
Additional pipework by A.R. Shopp, Trivo
Co., and Laukauff was added to the pipe organ throughout its life.
Most of the installation of additional/replacement ranks was done by
Harold Lucas. The Great Principal Chorus was original G. Donald Harrison
pipework. The 16' Ophecliede used 16' wood resonators. The 16' Violone
stop was wood, full length, and because of its smaller scale, was
actually closer to 20' in length. The Open Diapason 16' in the pedal
had a lower 32' extension, which because of expense, was left in New
York. The specification below was the instrument's final reincarnation,
as of 1999.
From 1983 to 1999, several changes to the specification took place.
An 8' Stopped
Diapason (Odel) replaced the Erzahler in the Gt.
Through switching, the 16' Open Diapason and 16' Soubass were added
to the pedal specification at 10 2/3' pitches.
For want of a feed wire, the 16-8-4' pedal Soubasse were played for
the first time since 1948.
One of the Swell strings (there were 4 ranks, very similar in volume
and timbre) was replaced by an 8' Cor Anglais - new pipework by Trivo
Co.
A 32' reed by Laukauff replaced an old Double Trumpet 16' in the pedal
division. An
extension was added by A.R. Shopp's so it could be played at 32' and
16' pitches.
The 8' Diapason in the Solo was replaced by an 8' Doppel Flute.
An 8-level S.S.L. Combination Action was installed. The pistons
under the Choir manual which duplicated the pedal toe-studs were re-configured
as Generals, which brought the total number of General pistons to 21;
8 of those were duplicated by toe studs. There were four user-definable
Creschendo pedal settings, and a set-able Sfz. for each level of memory.
Note: All of the photos on this page were captured between 1983 and
1999. Many changes have taken place since some of this pictures were
taken - to the exterior of the building, the sanctuary and the organ
console as well. One should not assume that the pictures of
a given object were neccessarily photographed within the same time
period. One final note: the final photo on this page was taken at night
from the parking lot across the street . The lighting/color of the
photograph was not enhanced in Photoshop - the unique and striking
colors are from the difference between the color spectrums of the church
and street lighting fixtures.
72 ranks
4 manual drawknob console
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